In preparation for this Sunday's concert with John Geggie and Tim Bedner I've been listening to a few really great new (to me) pieces of Brazilian music. The songs I brought in were "Corsarios" by Bosca, a Hermeto Pascoal tune called "Bebe" and a few pieces by Egberto Gismonti. A Brazilian singer I met on a cruise ship gig about 15 years ago gave me a copy of his incredible album Alma - I love the songs "Baiao Malandro", "7 Aneis", and "Agua e Vinho", but the piece we settled on was "Um Anjo"- a song from…Read more
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Before I was involved in this project I had already listened to this version a bunch as my go to for this tune.
Just wanted to say how much I enjoyed this year's Ottawa Jazz Festival. It was a very special honour for me to be part of the house trio hosting the jam sessions every night for ten straight days - the first year I went to the jazz festival (1996...) I probably went to eight of their late night jams. It was my first exposure to the music in a club setting - real professionals playing mere feet away, the sound came from the instruments as much as any sound system. I'm really happy to have had this chance…Read more
Hey, just a quick note to say I've updated my calendar to reflect some Jazz Festival events, most notably the 24 hour jazz ramble which takes place from 10AM Friday to 10AM Saturday next weekend. I'll be on at noon with Mark Ferguson playing some Bill Evans music in the style of his overdubbed pianos records. I'll also be part of Ed Lister's quintet at 9PM. The whole event takes place at the Record Centre on Wellington.
I also had a blast playing all types of Indian music at City Hall last week for the…Read more
I've started rehearsals with Vinay Bhide for a show May 10th at noon at City Hall. Vinay has asked Mike Essoudry and me to join him to play what we feel fits in the performance of two pieces. One is based on the Raga Rageshri, on which I have previously written an original piece, "Pas De Deux". In the key of C, the notes for improvising are Bb-C-E-F-A-Bb-C and the downward notes are C-Bb-A-F-E-D-C. After a few minutes of getting it in your ears, an accidental G sounds glaringly wrong.
I've also been…Read more
Not a lot of shows coming up with all of my accompanist work looming, but I thought I'd share some things I've been checking out.
I've been listening to Keith Jarrett's Radiance, and album I couldn't get into when it first came out. Now that I've been doing more solo playing and my ears have improved, I thought it would be good to give it a few more passes. The concept is that he takes an idea from the previous improvised piece and forms a new piece out of it, and de-emphasizes melody, contrary to a lot…Read more
My hopes of a regularly maintained thoughtful content-filled blog haven't materialized in the face of my regular practice and teaching schedule. However, I thought this might be a great and easy way to keep track of fun news and things I'm doing as they happen, instead of constantly bombarding my e-mail list.
Alex and Michel were interviewed about the project…Read more
My love for North Indian Classical music began when I took a course taught by Vinay Bhide at Carleton University in 2002. His introduction to Indian music was aimed at all Western musicians, but to me seemed geared even more towards jazz musicians since so much of the excitement in Hindustani music comes from improvisation, usually over a pre-determined or standard form. Their idea of form differs, but not as much as you might think.
Although the amount of great reading materials is rapidly growing, I most…
During World War II, Hitler's regime forbade certain musical ideas and devices that didn't conform with their idea of artistic music.
From New Dutch Swing:
It [de jazzwereld's guideline for entertainment music in 1940] was mostly a detailed roster of forbidden devices and practices: plunger mutes, growls, smears and other dirty timbres, ostinato basses, background riffs repeated more than three times, charts written by black musicians, washboards, the use of the word 'jazz' were all off-limits.
How many…Read more
I had the great opportunity to perform this piece with the composer himself conducting during my time at NEC. Without him I don't think any of us working in jazz full time with a large part of that work coming from post-secondary education would be doing what we are doing.
I hope to get back to writing some of my thoughts on music for my online community of students and fans now that the school year is over. Have a great summer everyone.