An article I was asked to write was published on London Jazz News today, check it out:
https://londonjazznews.com/2022/08/29/ten-tracks-by-danilo-perez-i-cant-do-withoutby-steve-boudreau/
An article I was asked to write was published on London Jazz News today, check it out:
https://londonjazznews.com/2022/08/29/ten-tracks-by-danilo-perez-i-cant-do-withoutby-steve-boudreau/
I'm so pleased at how these Saturday group classes are going - please feel free to stop by and hangout. I will be presenting different mini-topics each week through the school term.
On the Jan 23 class, I talked about the music Keith Jarrett wrote for his European quartet, thinking about the story from the Ian Carr biography saying he just jotted down some simple music on the plane ride over. I also shared two of my versions of his song "The Windup" and "My Song". There are lots of different versions…
Read moreAs of January 2021 I have started a weekly group class for my teaching studio, every Saturday morning at 11AM over Zoom.
You can come join in by simply joining my Zoom room at 11AM this coming Saturday.
Students who study with me privately will have access to recordings of the older classes, but I am hoping to share some of my handouts online for everyone to see as well.
In the trial class on January 16, we briefly talked about Bb blues in jazz, especially in Monk's music. Here is a handout I made of…
Read moreOn the wall in my teaching studio there are three IKEA LP frames that fit vinyl records that can be easily swapped in and out. Because I can only listen to vinyl in the basement, it's a nice daily reminder of some of the music I've picked up physical copies of, usually from the Record Centre on Wellington. I try to change the records out once a school term and put the three albums on a Spotify playlist so I can let those albums percolate a bit through repeated listens.
Over the last several months the…
Read moreI have been preparing some new solo piano music but in the meantime, I updated my store to only show physical products, as I've made most of my earlier albums available on major streaming services like Spotify. I also added a tip jar, which I'm intending on using during any online events in the coming months. If you are listening to my music online and want to make a gesture of support, since purchasing and downloading albums is less of a thing, please feel free to do so. Thanks!
In preparation for this Sunday's concert with John Geggie and Tim Bedner I've been listening to a few really great new (to me) pieces of Brazilian music. The songs I brought in were "Corsarios" by Bosca, a Hermeto Pascoal tune called "Bebe" and a few pieces by Egberto Gismonti. A Brazilian singer I met on a cruise ship gig about 15 years ago gave me a copy of his incredible album Alma - I love the songs "Baiao Malandro", "7 Aneis", and "Agua e Vinho", but the piece we settled on was "Um Anjo"- a song from…
Read moreThis Friday I'll be playing at the Merrickville jazz festival with Norm Glaude for his tribute to Toots Thielemans - here are two of my favourite tracks that we've done in the past.
Estate - from Only Trust Your Heart
Before I was involved in this project I had already listened to this version a bunch as my go to for this tune.
Sno' Peas - from Bill Evans' Affinity - this is just about the hardest set of changes in a simple 8 bar section AABA tune that I've played in a while. They break up its…
Read moreJust wanted to say how much I enjoyed this year's Ottawa Jazz Festival. It was a very special honour for me to be part of the house trio hosting the jam sessions every night for ten straight days - the first year I went to the jazz festival (1996...) I probably went to eight of their late night jams. It was my first exposure to the music in a club setting - real professionals playing mere feet away, the sound came from the instruments as much as any sound system. I'm really happy to have had this chance…
Read moreI've started rehearsals with Vinay Bhide for a show May 10th at noon at City Hall. Vinay has asked Mike Essoudry and me to join him to play what we feel fits in the performance of two pieces. One is based on the Raga Rageshri, on which I have previously written an original piece, "Pas De Deux". In the key of C, the notes for improvising are Bb-C-E-F-A-Bb-C and the downward notes are C-Bb-A-F-E-D-C. After a few minutes of getting it in your ears, an accidental G sounds glaringly wrong.
I've also been…
Read moreNot a lot of shows coming up with all of my accompanist work looming, but I thought I'd share some things I've been checking out.
I've been listening to Keith Jarrett's Radiance, and album I couldn't get into when it first came out. Now that I've been doing more solo playing and my ears have improved, I thought it would be good to give it a few more passes. The concept is that he takes an idea from the previous improvised piece and forms a new piece out of it, and de-emphasizes melody, contrary to a lot…
Read moreMy hopes of a regularly maintained thoughtful content-filled blog haven't materialized in the face of my regular practice and teaching schedule. However, I thought this might be a great and easy way to keep track of fun news and things I'm doing as they happen, instead of constantly bombarding my e-mail list.
Most recently, I've been practicing video game theme songs for this Friday, when I'll be playing with the relatively new F8-BIT at Live on Elgin.
Alex and Michel were interviewed about the project…
Read moreHere is the another video of a solo piano arrangement of a pop/punk tune. The first one you can find by clicking here.
I went to see the documentary about the band All and the Descendents "Filmage" when it came out and immediately became one of my favourite music movies. Musicians that I looked up to lived a very tough life on the road, playing music for food and gas. 20 years after first hearing their music, it all makes sense to me now, and I still have a soft spot for all of their records.
https://www.…
First of all, the very word "Bootlegging" has to do with clandestine action, and what started me thinking about this issue was the extremely overt and non-secretive manner in which people currently are reproducing live music.
We have all had that thought when someone holds their phone up to record a shaky, badly lit chunk of video from a live music performance. What are they thinking? Do they lack the presence to enjoy the experience without proof they were there? Do they love their phone more than the…